¡º ÀÌ»óÇÑ °ø°£ - ¹è»ó¾Æî÷ ¡»
Bae Sanga Solo Exhibition :: Painting
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #01 Strange Space, 130.3x89.4cm, Oil on Canvas, 2015
Àü½ÃÀÛ°¡ ¢º ¹è»ó¾Æ(Bae Sanga ÛÑßÈä²)
Àü½ÃÀÏÁ¤ ¢º 2015. 06. 11 ~ 2015. 06. 17
°ü¶÷½Ã°£ ¢º Open 10:00 ~ Close 18:00
¡ï ¡« ¡ï
¸ð¸®½º°¶·¯¸®(Morris Gallery)
´ëÀü½Ã À¯¼º±¸ µµ·æµ¿ 397-1
T. 042-867-7009
www.morrisgallery.co.kr
¡Ü ¡°ÀÌ»óÇÑ °ø°£¡± Àü½Ã¿¡ ºÎÃÄ
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¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #02 Strange Space, 116.8x91.0cm, Oil on Canvas, 2015(
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #03 Strange Space, 80.3x116.8cm, Oil on Canvas, 2015
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #04 Strange Space, 91.0x116.8cm, Oil on Canvas, 2015
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¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #05 Strange Space, 90.9x72.7cm, Oil on Canvas, 2015
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #06 Strange Space, 90.9x72.7cm, Oil on Canvas, 2015
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #07 Strange Space, 72.7x90.9cm, Oil on Canvas, 2015
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #08 Strange Space, 72.7x90.9cm, Oil on Canvas, 2015
Dedicated to the Exhibition ¡°Strange Space¡±
The main topic of the artist Bae Sanga for her works displayed at this exhibition is 'strange space'. Literally, a 'space' means an eternal borderland of 3 dimensions where things and accidents happen to appear and occupy relative position and direction respectively in it. Space signifies something invisible and metaphysical that keeps existing in our daily life in the form of vacancy which connects a border with another.
What the hell does the 'space' the artist Bae Sanga tries to reveal in her works signify? Once we look deep at her works, we come to find a relevance between objects and light placed in a certain space. A closed space repeats to show things on and off beyond plain darkness. Moreover, space expands itself into an unknown territory but returns back to a normal cycle of life. Space, light and things are some of those used most frequently in her works. This is because the images of the tools she uses in her studio such as painting kit, easel, oil cans, brushes and canvas are transferred to her works as graphically as things stand. Her space draws more closely to sensitiveness in an utter contrast of light and darkness. It often motivates us to feel dreary or gives us an impetus to endless imagination. What is more important in her works is that preference is offered to 'space' rather than to 'objects'. She incites our illusion to let us see, make or delete the objects. We can feel flows and vibrations of air in the closed space of her works and even take a look at subtle trembling throughout the canvas that is full of darkness. For her, it seems most essential to paint the phenomena that are not seen though definitely existing and occupying the space, not simply to picture the visible physical objects or instruments.
In her works, we can make travel to a new space through half open windows, slightly bent staircases, drawers in furniture, dark windows, and all new in which there are no borders in walls but something exists that gives birth to light and shadow. The objects filled up full in a certain crevice, no matter how common they may be, pack up the space tight and close. The confrontational composition teamed up with diagonal lines makes us feel more uneasy and just like being immediately pushed out of the canvas. The space defined this way by the artist is not the static but the living one that repeats creation and dissolution over and over again. The 'space' the artist intends to map out by means of sharp contrast of darkness and light is not at all a concrete revelation of things but a try to visualize the unseen world. Her space is thus a sensitive space where tenseness and tranquility coexist peacefully. This is why a 'space' brings forth an endless 'strange space' above it in her works. From the dark side of the canvas, objects appear slowly, shading away into the light side of it in an infinite cycle of recurrences. In the 'strange space' where there is no distinction between in- and outside, swimming of things continues to repeat maximizing and scattering.
A drawer of furniture remains half open giving no exact hint as to whether there is something in it or not. Such items as canvas, easel, staircase, etc. stand lonely in an unstable manner without any supports to rely on. The 'space' of the artist looks thus as far wide as the scope of three dimensions on the vast open ground. Space is the basic element in painting. The format of painting depends on the constitution of space. The issue of space has been pursued for over 500 years since far back from the Renaissance painting in the West but has yet remained as the unknown world. The discovery of perspective is a representative example that shows utilization of space as a way of painting in an epoch-making way. In terms of relationship between space and objects, the modern art has expanded its territory, instead of limiting itself within a space which comprises scenes. The contemporary people find themselves in a new space and succeed in budding out a new philosophy in the space they invented.The 'space' the painter wishes to show in her works may be understood in this context. A 'space' builds up a relation with another 'space' through mutual understanding. It is communication among objects and space, space and light, space and darkness as well as space and space.
Another significant aspect of 'space' is the artist's attachment to 'painting'. Her painting is more realistic than a photograph, forcing by thus viewers to see something in a vision. It is not a technique to represent the reality but to offer unrealistic vacant space. The cold and crisp atmosphere of space looks not like the one we are used to but like the non-real 'strange space'. This makes the artist's space a 'special one' as if it were a virtual space that can neither be seen, nor be touched. Therefore, the artist's works do not represent the space that we can imagine but represent the 'creative space' that is created by and through a space. It may also be said that the space in her works is the living one that changes in tune with tenseness and way of placement of things and space. The space in it makes us mistakenly think as if it would be an absolutely lofty place. The olive-green tone she mostly favors to use in her artwork is extant only in connection with the air of her works. In them, the space is connected with things flowing from the darkness. It continues to repeat for the time infinite like incessantly spouting energy.
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #09 Strange Space, 53.0x45.5cm, Oil on Canvas, 2015
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #10 Strange Space, 53.0x45.5cm, Oil on Canvas, 2015
¡ã ¹è»ó¾Æ, ÀÌ»óÇÑ °ø°£ #11 Strange Space, 130.3x89.4cm, Oil on Canvas, 2015
Since her first solo exhibition at Space Body Museum in 2002, the artist has kept on inquiring into space, depicting the space fading in and out from space to space in a cyclic way. Such features culminate in her works displayed here. It is noteworthy to find that the artist zealously tries to paint the space seen through her imagination on the canvas. Her space realized on the canvas dimly touches our heart and refreshes our memories as if an old discolored piece of photograph found incidentally while paging through a book usually do to us. In like manner, the artist keeps on drawing and drawing. The artist's tenacious efforts and persistence at last make it possible to create a new space. She comes to tune space, color and light exactly as James Turrell does with light, space and color.
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